Subaru - Detour

Although my main role was as an editor I was present on all shoots days shooting stills for Subaru. This gave me a great insight before going into the edit as I got to see takes as they were happening, hear comments on preferred takes and I was able to piece it together in my head before even touching a computer.

Our main focus was giving the context of taking a detour whilst telling the story from the child's perspective. Despite having a lot of the squeeze into a short time frame, we wanted our pace to not feel fast or rushed to match the positive tone of the performances. To do this we used as few cuts as possible, having each scene work mostly with just one shot, this enabled us to show a wide range of scenes and locations without feeling too cutty and rushed. 

Role | Editor
Client | Subaru

Camera | Alexa LF Mini